So I stayed up too late again watching telly, which lead to me giving myself amateur psychoanalysis. (Yeah I know; the things that make sense at 6am, right?)
I was trying to work out what it was that appealed to me about all the TV shows that I watch and love. On the surface it looks like it's just because they're procedurals of some kind - mostly crime procedurals apart from House, but then it's been pointed out by reviewers that House (my very favourite thing on the telly) is basically a crime procedural in which the villain is a disease rather than a person. It's not the genre exactly that appeals, though. I don't find 'straight' cop shows very interesting - for example, Paul loves The Wire, and I'm told it's a pretty amazing examination of the dirty, tragic and tangled world of drugs and crime, but I'm not interested. Too much politics and aggressive masculinity. The shows I like always feature protagonists who solve their particular cases using some specialised skill - one that appears almost miraculous to the (layman.) Forensic anthropology, forensic science, psychological profiling, behavioural analysis, intuitive medical diagnostics... All protagonists are supreme believers in rationality and science. They have special skills that give them the power to access truth, dispense justice, and save lives, but also are faced with both the limitation of their particular skills, as well as the emotional involvement and ethical dilemmas that come with exercising those skills.
Does this sound familiar? 'With great power comes great responsibility.'
That's right - the modern crime drama is a retelling of the superhero myth. All the important themes are there: life&death, awesome powers, sacrifice, the greater good, life, death, truth and justice.
This is a useful insight to me, as it was these shows which, funnily enough, inspired me to start writing again. Not because they're deep or timeless, but because they're intensely satisfying. And now I know why - which means I can write to greater effect.
I've been stewing the idea of a crime novel for a while now. It was the amazing UK series Wire in the Blood that really tuned me into the potential of the crime drama. The show is compelling and dark, and deals with it's heavy themes and finely drawn characters with great tenderness and care. It's also extremely gruesome and graphic, and I was disturbed to realise that I enjoyed that aspect of it. That's what tipped me off to look for something darker to write about, in the hopes that that fascination and enjoyment indicated an untapped spring of ideas and images worth tapping.
Then House came along, and I was so incredibly impressed by such a mainstream American show managing not only to centre itself around an often unlikeable, offensive and emotionally stunted protagonist, but to draw viewers in to the extent that we found ourselves feeling great empathy and affection for that character. It's a rare thing: a redemptive storyline played out without compromising the integrity and strength of the redeemed character. The writing belies a deep understanding of human psychology as well as a fascinatingly shaded and nuanced view of morality, yet still manages to appeal to a wide range of viewers without a lot of intellectual effort on their part. Plus, it's really bloody funny at times, and has also made me cry like a little bitch on several occasions.
Anyway, what I'm getting at is that House proved to me that more 'accessible' works needn't be dumb, and that sticking to genre conventions doesn't have to hamper deep character study - it can even be conducive to it. This is probably old news to most of you, but indulge me. I never watched much television up until this year, so I'm full of the enthusiasm most of you probably got out of the way when you were fourteen.
So that's what's fired me up to write my idea down: a crime 'thriller' (terrible word!) kicked off when a police detective meets a philosophy lecturer at an academic conference on judicial ethics. The classic 'odd couple,' and of course, sexual tension. It's the fuel that drives every good crime story! They investigate the case (which has connections to Nietzsche and 19th C Germany) together, and lots of danger and twistiness and excitement ensue!
Cheques for advance copies of my as-yet-unwritten novel can just be sent straight to me. Thnx.
And if I could ask for a massive favour: recommend me your favourite piece of 'pop culture' that you feel exceeds the expectations of its genre or its billing. (Whedon fanatics, this is your cue!! Heh.)
Lots of loff to all. A cup of decaf tea for me then off to bed xx